Rupkatha Journal on Interdisciplinary Studies in Humanities
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Subjectivity in Art History and Art Criticism
Living in the Theme Park: A Textual Tour of Savannah's Public Squares
“Beyond Borders”: Rabindranath Tagore’s Paintings and Visva-Bharati
Soyinka and Yoruba Sculpture: Masks of Deification and Symbolism
'Just as good a place to publish': Banksy, Graffiti and the Textualisation of the Wall
Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
Metaphysics and Representation: Derrida’s Views on the Truth in Painting
Homebirth Advocacy on the Internet
Creative: Red Alive
Creative: Utopia
Book Reviewed: Samuel Taylor Coleridge and the Fine Arts
Book Received and Reviewed: Word, Image, Text: Studies in Literary and Visual Culture
Book Received and Reviewed: Picturing the Nation: Iconographies of Modern India
Book Received and Reviewed: Fashion Design: Process, Innovation and Practice
About the Contributors
Editorial


The visual capacity is an excellent addition to the bogey of sense buds that we have – it definitely enhances capabilities of maneuver and movement, along with instrumentation of an entire spectrum of sensory or tactile reflexes, but its epistemic function is that of bridging, of taking us through the phenomenon of vision to that other territory. The special edition on Visual Arts has been designed with the aim of getting to employ visual signs for making connections through terminals that are also nonlinear and unpredictable, just as they are.

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Vol 2 No 1, 2010
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